A
time to be loud and furious: AIDS activism
Films like ‘Dallas Buyers Club’, which won
Matthew McConaughey an Oscar, and ‘United in Anger’, a history of ACT UP, have
turned HIV activists into heroes. But
what is striking about these movies is that the events they depict are placed
firmly in an historical context. This is
a time that has passed. The urgency of
the AIDS crisis has largely, and thankfully, disappeared – at least in the
developed west. Yet there is a certain
nostalgia for the innovation and excitement that AIDS activism generated.
‘People are suddenly interested in talking
to me,’ says Lloyd Grosse, Sydney DJ and former HIV activist. ‘It’s like we are the heroes of the AIDS
movement’. Grosse lays claim to being the first Australian to come out publicly
as HIV-positive and an old, yellowed copy of the Sydney Star Observer suggests he may be right. It carries a picture of Grosse in an ad
encouraging gay men to ‘take control’ and get tested for HIV. The piece now seems innocuous – another ad for
HIV services, of the kind familiar to any reader of the gay press. More striking to me are the bouffant
hairstyles and high-waisted pants of the early ‘90s. But there is something from the Sydney Star Observer of twenty years ago
that I had forgotten: the awful, gut-wrenching death notices. ‘There was one period,’ Lloyd says, ‘when the
Bobby Goldsmith Foundation had five clients and seven friends die in one
week. One week.’ Events like these
put Lloyd Grosse’s decision to come out in perspective.
‘An activist,’ writes Eve Ensler, author of
‘The Vagina Monologues’, ‘is someone
who cannot help but fight for something. That person is not usually motivated
by a need for power, or money, or fame, but in fact driven slightly mad by some
injustice, some cruelty, some unfairness. So much so that he or she is driven
by some internal moral engine to act to make it better.’
Anger and a sense of injustice are recurring
themes in the accounts of AIDS activists.
The spectre of death and dying added urgency. ‘They were terrible times,
just terrible. I was angry,’ says Paul Kidd, a former President of PLWHA
Victoria and self-identified “stirrer”. Anger,
Paul feels, was an appropriate response.
‘Anger is what gets people off their arses in the first place, so it has
a motivating role. Second, the expression of anger is an important part of
activism. There's a time to be respectful and polite, and there's a time to be
loud and furious.’ Being a gay man in
the 1980s and early 90s was one such time.
‘At one stage,’ Lloyd Grosse recalls, ‘ACON
was telling people not to get tested, because there was nothing that they could
do to help us. And there was a real fear, at that time, that the government
would put us in quarantine or something like that.’ Grosse later did get tested and, though
assured that he was not high risk, tested positive. With a background in the union movement,
activism came naturally to him. Already a
volunteer at AIDS organisations in Sydney, he became involved with PLWA and then
ACT UP. Similarly Paul Kidd, who was
diagnosed in the early 1990s, says that, ‘I've always been a politically
aware/outspoken person and AIDS was the issue du jour in the gay community. I
thought I was going to die and I wanted to make some noise before I did’.
Not everyone had such a background,
though. Lyle Chan is a classical composer
who found himself in the middle of an emergency. ‘I couldn’t stand by,’ says Chan. ‘My friends were dying. I saw ordinary people turn themselves into
activists, so I did the same. The prevailing atmosphere was, “we will do whatever it takes”. I was a musician, but I also had a
background in molecular biology – though no one was an expert in AIDS back
then,’ he adds. ‘The doctors and
researchers had an advantage because of their medical training but still, they
knew no more about AIDS than the activists did, because we made a point of
being well-informed.’ After coming to Australia from America, he joined ACT UP
and also ran a ‘buyers’ club’ at ACON, importing drugs from the US unavailable in
Australia.
Chan had over 400 clients. ‘The AIDS Council gave it a euphemistic name
- the Treatments Access Scheme. The
buyers club operated under cover of a provision in federal law that allowed
people to import certain medical drugs under certain conditions. The law was
designed for drugs manufactured by legitimate drug companies – but I was
importing ddC made in underground laboratories in violation of multiple drug
patents, while the official drug company and the Australian government took
their time working out how to supply it’.
Access to treatments was the big issue for
people with HIV in Australia, as it was elsewhere. Access to treatments gave ACT UP its moment
in Australia. In Australia, the early
trials of AZT – the first anti-AIDS drug – were run on a quota system. This meant that those who were unable to
access the trial were left with nothing, which incensed activists. ‘The process for approving new drugs was very
bureaucratic and took no account of the nature of the illness. You could have a
drug for dandruff and a drug for cancer and they were both treated in exactly
the same way,’ explains Lyle.
Treatment issues also gave the impetus to ACT
UP, the direct action group which had proved effective in the US. However, ACT UP was never as popular or
widespread in Australia as it was in the US. This may have been due to the
effectiveness of the Australian government’s response to HIV. With a Labor government in power during the
1980s, Australia benefitted from progressive leadership on HIV issues. ‘It was really down to three people,’ says
Lloyd Grosse. ‘Neal Blewett was the
Health Minister. Bill Whittaker was a great advocate. And Bill Bowtell who was
Blewett’s advisor - he was in the right place at the right time.’ It was through their leadership that
Australia adopted harm minimisation policies such as needle exchanges, and
funded organisations like the AIDS Councils to provide community-based
education and services.
But these community-based services could
themselves become targets of attack from activists. ‘A lot of my anger was directed at the AIDS
movement,’ says Lloyd Grosse. ‘They were
too caught up with their careers – they would never stick their necks
out.’ Lyle Chan says ACT UP deliberately
cultivated its image as the ‘lunatic fringe’ of the HIV movement. ‘ACT UP had a
love-hate relationship with organisations like ACON,’ he recalls. ‘ACT UP criticised the HIV organisations and
could also say and do things that other groups couldn’t. But we also knew that
our extreme protests against government officials and drug companies would send
them straight into negotiations with ACON and AFAO to get relief. These organisations had the same goals as ACT
UP but were less antagonistic.’ The
range of players - government, medical professionals, drug companies, NGOs and
activist groups – made for a volatile environment, especially when sex and
personal relationships were added into the mix.
Where has it gone, this anger? Lyle Chan says he made a conscious decision
to leave activism behind, once it became clear that the protease inhibitors,
the new generation of anti-retroviral drugs, would ‘rescue people from the
toilet’. ‘Activism is an attempt to
reach some kind of normality,’ he reflects, ‘that you feel is being denied for
some reason. Once it became clear, between
1994 and 1996, that we were no longer fighting against a constant backdrop of
death, it became possible to imagine a future where every day was not a state
of emergency. Some activists continued, working in Asia for instance, where the
crisis continued for different social reasons.
But I felt my work as an activist was done, and with normality came the
responsibility of returning to my true purpose, which was to write music.’ Chan
has written an acclaimed string quartet about his years as an AIDS activist.
Lloyd Grosse is no longer involved in HIV
issues, either, though he says he took longer to move on. ‘The war ended,’ he says. ‘People are no longer dying, so in a sense we
won. I have returned to my core, which
is social justice issues.’
Paul Kidd, who became involved in AIDS
activism a little later than the others, says he is no longer angry – at least,
not about HIV issues. ‘Anger doesn't
seem right in the current context because the stakes just aren't as high as
they once were: people are not dying.’
Kidd, however, still writes about HIV issues. ‘I think our AIDS organisations have become
dreadfully risk-averse,’ he says. ‘Too many of them are more concerned about
upsetting their funders than doing what is right to protect people's rights and
lives. I think it's important to have independent voices calling out and
questioning the AIDS establishment and I try to continue doing that in my way’.
All readily acknowledged that while the
AIDS crisis is over in Australia, it is still very present in other parts of
the world. The World AIDS conference in
Melbourne will see some of the world’s most inspiring AIDS activists in
Australia. Paul Kidd is hopeful that the
conference will re-invigorate Australian activists. ‘I think the AIDS conference will be an
energising force for HIV activism in Australia,’ he says. ‘I hope it will
generate some anger and some willingness to challenge the status quo. It will
also help local people see where they fit in the global picture, and maybe
contextualise the local challenges and local complacencies in terms of a
broader picture.’
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